A future in which we get to decide. A future in which we are not working against, anti, and counter. Where we get to rest a bit, and work for what we want, and what we have imagined ourselves. This, to me, is a big aspiration. I can’t tell a story of the future right now, I can’t tell you the future is going to look like so and so. If you had asked me four years ago, I would have told you that the future is when I go back to our ancestral land and take it. This is still the future that I am hoping for, and that I am imagining. But for this to happen, I need to see a near future, where I am not working counter, anti, and against, where I am not wasting my time pushing things away. I am instead sitting and contemplating what I want to do in my land, and what it is that my land means to me. And I don’t have to fight academic institutions and state institutions over what “land” means, over how it’s legislated, over how it’s paternalistically “protected,” or over how its environment is defined, and understood, and respected.
The sense of alienation you have in this field, being the only Black person in the room, makes it so that you need that space, you need that construction that you have in your mind, in your imagination, to know that there is elsewhere. There is an elsewhere to where I am now, where I am lonely, alone, the only. Being “the only” is celebrated - ridiculously. When you are the only Black person there, how do you become an active participant in what is happening, what is being created in that board room, in that faculty meeting? You can’t participate meaningfully! The only place where I can meaningfully be an actor is in that place I can imagine. And so, the forms of alienation that we are subject to as Black people ensure that I am not losing sight of the future I imagine for myself.
Learn more about Menna’s work on her faculty webpage. You can also see and read more about her research on Nubian places on her Project Unsettled platform, and in the publications list below. Menna is also a curator of the Disembodied Territories platform and editor-curator of the collection, There, is the city... And, here are my hands (2021).
Publications:
2020 “Informality is a Fallacy” with Léopold Lambert, issue no 1477, The Self-Built, Architecture Review Magazine. link
2020 “Affable Ghosts and Disembodied Territorialities in Stephanie Comilang’s Lumapit Sa Akin, Paraiso” Interview with Filmmaker Stephanie Camilang for E-flux Magazine. link
2020 “Recognizing Nubian displaceability” issue no. 30, On Reparations, Funambulist Magazine link
2020 Agha, Menna. “Emotional Capital, and the Other Ontology of the Architect” Architectural Histories Journal, issue on Fourth Wave Feminism. link
2020 Agha, Menna. Multi-gendered Identities: The contesting Nubian womanhood(s), Book section in “Breaking silence” [Arabic] Publisher: Maraya, Cairo.
2019 Agha, Menna. “Non-work of the unimportant” Kohl journal of Body and Gender Research, issue on Alternative economies. link
2019 Agha, Menna. “Nubia Still Exists: On the Utility of the Nostalgic Space” Humanities, special issue on Contemporary Nostalgia. link
2019 “Female Genital Mutilation, Cutting, or Circumcision?” KOHL Journal for Body and Gender. link
2018 “Women of the Dam” Page 4, A2 Magazine, Prague link
2017 Agha, Menna. and DeVos, Els. “Liminal Publics, Marginal Resistance” IDEA Journal, special issue on Dark Spaces. link
2013 “Nubia, between the dream of return and the reality of migration” Report for the Committee of ‘Population, Health, and Housing’, National Specialized Councils, Cairo, Egypt
2012 Agha, Menna, and Nayoung Koh. 2012. “Inside and Outside: The Overlap of Social Conundrums.” 73-86. Book chapter in “House and Home” Publisher: Dakam, Istanbul.